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  • Ethical Aspects of Animal Husbandry
    Ethical Aspects of Animal Husbandry
    by Craig Terlson

    A collection of short stories where the humour runs dark and the slipstream bubbles up.


    ...imagine if Raymond Carver called up George Saunders and Joe Lansdale, and they all went drinking with Neil Gaiman.

  • Correction Line
    Correction Line
    by Craig Terlson

    “… it's clear that Terlson is way ahead of the curve in terms of crafting an engaging premise that reaches for elevated territory and reinvents enduring archetypes of action and suspense.”  J. Schoenfelder

    "Sometimes brutal, often demanding and always complex, this novel will repay the reader who likes their assumptions challenged and is happy to walk away from a book with minor questions unanswered but the big ones definitely dealt with! It’s likely to satisfy those who enjoy Hammet and/or Philip K Dick and who like their fiction very noir indeed."   Kay Sexton


    "I love a novel that you can't put down, and this is one of them."  L. Cihlar


In a Grove with Toshiro

52_feature_350x180.jpg One of the inspirations for my fiction has been the films of Akira Kurosawa - but it's one of those things that I find hard to say why. It's not like I am writing allegorical Japanese Samurai tales on the Canadian prairies. And I am not styling characters after the great Toshiro Mifune, who for my money has the coolest name for an actor ever - way more bad ass that say, Clint Eastwood. Just to digress for a second, rent Yojimbo and Fistful of Dollars and watch them back to back. You tell me if you don't see a LOT of Eastwood mannerisms modeled after Mifune. Hell, the poncho is pretty much a kimono.

ANYWAY... I found a copy of Rashomon by Akutagawa Ryunosuke in a used bookstore. I'd read the story collection in the past, maybe a library book, I can't recall. It's always interesting to me when I return to a book years later, at a different stage of life, and in this case, a different stage of being a writer.

I am struck by the pared down simple prose, maybe because I have been reading a lot of Richard Ford lately, the similarities struck me. And how both books (Rashomon and Ford's Rock Springs) are going after a certain kind of truth. The point of view structure in Rashomon was made famous through the Kurosawa film (which combined 2 stories from the collection, In a Grove and Rashomon). This structure continues to show up in everything from animated films (Hoodwinked), crime dramas (CSI 2006 episode - Rashomania), cool Jim Jarmusch movies (Ghost Dog) and even Homer gives it a mention.
Marge: 'You liked Rashomon.'
Homer: 'That's not how I remember it.'

I think about this structure when writing my fiction. Not neccesarily the telling of the story through different narrators, but how the truth of a tale spills onto the page based on who is the storyteller, and in a Rashomon type trick, the viewpoint through a character created by the writer. Don't think about this too long, it will hurt your head. It hurts mine.

Text for In a Grove</


Woo What?

So what's the deal? Woofreakinhoo?

I remember when I was a kid hanging around the swimming pool. It's what we did in the summer. We'd swim, but more importantly we would eat bags of ketchup chips, watch the jocks jump off the high board, and generally try to look cool as we stretched our bodies across the bleachers.

I remember this kid who loved the F word, well maybe he didn't love it but it peppered his speech so much that he even inserted in between words. Fan--f***ing-tastic. That sort of thing.

Flash forward a few decades and I find myself a bit of a fan of certain words, so much so that I insert them into other words.

Recently, I was thrilled to have a story picked up by a magazine that I always wanted to get into.

My response spawned the name of this blog.
How bomfreakinbastic is that?


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